John Paul Caponigro’s Discussion on 8-bit vs 16-bit Processing

John Paul Caponigro has a wealth of information for photographers on his website www.JohnPaulCaponigro.com and in his blog. I have taken a number of workshops with him, and greatly value his knowledge, experience and teaching skills.

With newer, higher megapixel cameras, files sizes keep increasing. I’m not complaining, because in general, properly captured images from higher megapixel cameras have greater resolution and detail, if that’s important in one’s work. It’s certainly important to me. But, 16-bit files are twice the size of 8-bit files. Continue reading

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New iPhone App for Yosemite

In three previous posts, I discussed iPhone apps that can help photographers make better images. Well, here’s a brand new app by Michael Frye, Photographer’s Guide to Yosemite, that will definitely be installed on my iPhone before I visit Yosemite. Check out the video demo on the link and all the information about this VERY well designed app. This one’s a keeper!

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Photographers, Know Your Rights!

For photographers (and videographers) in the U.S., there have been a number of recent situations where the police have stopped the photographer from shooting in certain locations. The American Civil Liberties Union (ACLU) has published a paper providing guidance on the rights that photographers have.

Read this information carefully, and remember, while you might have certain rights, to what extent do you want to challenge those rights if confronted by a law enforcement officer?

An additional link on the ACLU website is titled “You Have Every Right To Photograph That Cop.”

Interesting reading!

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Staying Motivated … Being Inspired

For those of us that do most, if not all of our work alone, staying motivated can sometimes be a challenge. The painter with her brushes, paints and canvas; the composer with his keyboard or paper with staffs or computer; the potter with her clay and wheel; or the photographer with his camera and subject – we all need inspiration and motivation to be highly productive. Some are good at self-motivation, but from time to time, most of us need a little help!
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WTC Remembered

For the six month anniversary of the 9/11 disaster, this “Tribute in Lights” illuminated the sky for dozens of miles around New York City. I was scheduled to have been in the World Trade Center at 11am on 9/11. Like hundreds of millions of others, just before 9am, I watched in horror as the unthinkable happened. For many months after 9/11, I was drawn to try to make images that somehow conveyed the loss that we all felt.

We Will Never Forget

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All Lighting is Not Created Equal


What do the following have in common:

Guggenheim Museum, NYC
Muse d’Orsay, Paris
National Gallery of Art, Washington, D.C.
Art Institute, Chicago
Carnegie Museum of Art, Pittsburgh
Sislen Fine Art Studio, Bethesda, Maryland

Answer: SoLux Lighting

Photographers know that the most important component of every photograph is “the light.” As much time as we spend trying to get the best light when we are making our images, often, too little time is spent considering how we light and display our finished work.

If you want your displayed artwork to look its absolute best, then you must carefully choose your lighting. In 2006, when I was planning my new studio and gallery, I had just visited John Paul Caponigro’s new gallery space and he had used SoLux bulbs in his light fixtures. When I saw the clarity and beauty of his displayed prints, I began researching SoLux bulbs, and when I outfitted my studio/gallery, I chose SoLux lighting.
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National Parks from Space!

I’ve visited a number of the National Parks featured in this article in Wired Magazine, but my photographs never look like this! It’s fascinating to see these incredible places from a new perspective. View Wired Magazine Article.

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Assume You Can’t Go Back!

The Palouse, Washington State

For a number of reasons, I often go back to locations where I have previously shot. The first time I visit a location, especially a non-local location, often my adrenalin is pumping and it takes me a little while to settle into the place. I like to walk around, get comfortable and only then begin shooting. I always ask myself, “are the conditions (light, clouds, weather, time of day, etc.) ideal, or might a better photograph be made at a different time of day, or on a return visit?” If the location contains what might become a “portfolio image,” if at all possible I will return, often multiple times, hoping that the photography gods will smile upon me. Very often success is a result of two things – preparation and perseverance. But sometimes returning is not possible, so you must work extremely hard to make that illusive near-perfect shot during your one and only visit.
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An App a Day … Part 3 of 3

For this post, I’m going to discuss two very useful, but very different apps. “Tide Graph” provides tide information for virtually any location in the U.S. “f/8 DoF Calculator” provides everything you need to know to determine and properly set your camera for controlling the area of “perceived focus” in your images, otherwise known as depth of field (DOF).

“By the sea, by the sea, by the beautiful sea …”

A little over a year ago, I helped organize a photography master class along the Northern California and Southern Oregon coast. A friend and I arrived 4 days before the master class began to scout potential shooting locations. Here’s a case where I hadn’t done all my homework, and it was an iPhone app to the rescue!

As we drove up and down the coastline, it quickly became obvious that “to be at the right place, at the right time,” we needed to know something about the tide tables, a subject I admittedly, knew nothing about. As we were trying to determine the best times to shoot a number of coastal locations, it was very easy to determine the direction of the sunlight using LightTrac. In some cases we wanted to shoot sea stacks close to the shore, but the questions became, “how high will the water be?” and “will I be standing on the beach or in 4 feet of water at shoot time?”
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An App a Day, Keeps the … Part 2 of 3

In the first post in this series, we discussed that knowing the direction of sunlight (or moonlight) has an enormous impact on your photograph, and suggested some fantastic apps that can help you plan ahead for where the light will be. In this post, we’ll take it to the next step, because knowing where the light will be assumes that the sun has a direct path to the subject of your photograph, and that the light is not filtered or completely blocked by cloud cover. Unfortunately, in addition to the “light,” we have to be aware of the weather.

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